My artistic practice is rooted in a lifelong desire to create peace, harmony, and order as a counterbalance to chaos and impermanence. Informed by a background in architecture, interior design, and the visual arts, I approach art-making as a process of abstraction and transformation across painting, photography, and sculpture. 

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Central to my work is an exploration of impermanence shaped by early experiences of loss and displacement. Recently memory functions as both source and subject, while overlooked or discarded elements, materials and objects are elevated and reconsidered. This transformation of the ordinary or unexceptional into the sublime is particularly evident in my plaster of Paris works, where material experimentation and physical process play a critical role.

 

While I resist being confined to a single stylistic framework, gestural mark-making is important to my expression. I explore materiality through both intentional planning and intuitive, spontaneous response. Exploring and experimenting with materials and through photography as a method of visual abstraction, is key to my creative drive. Using traditional materials in unconventional ways, is how I approach my art making.

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Across all media, my work seeks to engage viewers on a personal and emotional level—inviting reflection, connection, and a renewed awareness of beauty, memory, and harmony across the human experience.